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In seventeenth-century Japan, the wandering poet Basho developed haiku, a seventeen-syllable poetic form now perhaps the most widely written type of poetry in the world. Haiku are practiced by poets, lovers, and schoolchildren, by “political haiku” twitterers, by anyone who has the desire to pin preception and experience into a few quick phrases. This essay offers readers unparalleled insight into the living heart of haiku—how haiku work and what they hold, and how to read through and into their images to find a full expression of human life and perceptions, sometimes profound, sometimes playful.
Jane Hirshfield is an award-winning poet and author of the now-classic Nine Gates: Entering the Mind of Poetry, as well as an equally classic book introducing earlier Japanese poetry, The Ink Dark Moon: Love Poems by Komachi and Shikibu, Women of the Ancient Japanese Court.
- Sales Rank: #4352 in eBooks
- Published on: 2011-06-21
- Released on: 2011-06-21
- Format: Kindle eBook
Amazon.com Review
To hear Jane Hirshfield tell it, the 17th-century Japanese poetry scene was a cross between a Surrealist "exquisite corpse" session and a sake-lubed rap-battle circuit. But this is just one of the historically enlightening gems packed into her beautiful essay on Matsuo BashÅ, the most famous purveyor of haiku. Packed with original translations, The Heart of Haiku is an elegant and reverent exploration of an itinerant artist who "wanted to renovate human vision by putting what he saw into a bare handful of mostly ordinary words, and… to renovate language by what he asked it to see." Absolutely no prior interest in poetry is necessary to take from Hirshfield's essay the inspiration to drop everything, walk out in to the wide world, open your eyes, and find out for yourself that "even the briefest form of poetry can have a wing-span of immeasurable breadth." --Jason Kirk
Most helpful customer reviews
97 of 98 people found the following review helpful.
Another gate opened by Jane Hirshfield
By Sussu
Jane Hirshfield's Nine Gates: Entering the Mind of Poetry, a series of deep but approachable, gentle but commanding essays on poetry, is my favorite book on literature of all time. I am not a poet myself, but a life long admirer of poetry. Hirshfield illuminates the poet's mind and experience with the authority of an accomplished poet, but with a total lack of self-importance or contrivance. She brings that same wonderful depth of knowledge to this piece - a must for anyone who loves the haiku form - or wants to write better tweets! Hirshfield never disappoints, and I can't recommend this short piece highly enough for anyone fascinated by one of the most intricate and deceptively simple poetic forms, the haiku.
36 of 37 people found the following review helpful.
Poetic discussion of Basho and Haiku
By Diane in Los Angeles
I love poetry. I love Haiku. But the one book of Basho's poetry that I've had before this gem had such a drearily dull introduction that it put me off the poetry for a good long while. Now Jane Hirschfield brings her poet's voice to the topic, and poet's insights to Haiku and Basho. Even from the first few lines, I knew I was in good hands. What a happy bargain this is!
37 of 39 people found the following review helpful.
A fine piece from one of our best poets
By Joe Flower
Jane Hirshfield's sparkling prose rivals her poetry. This essay on Basho and the origins of Haiku call to mind her delicious 1990 book Ink Dark Moon, translations (with Mariko Aratani) of the love poems of Ono no Komachi and Izumi Shikibu, women of the ancient court of Japan. I find Hirshfield's observations not only insightful, in a scholarly way, but luminously informed by her long practice as a poet.
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