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A story of guile, treachery, loyalty and desperate courage
This great German epic poem of murder and revenge recounts with particular strength and directness the progress of Siegfried's love for the peerless Kriemhild, the wedding of Gunther - her brother - and Brunhild, the quarrel between the two queens, Hagen's treacherous murder of Siegfried, and Kriemhild's eventual triumph.
Composed nearly eight hundred years ago by an unnamed poet, the�Nibelungenlied�is the principal literary expression of those heroic legends of which Richard Wagner made such free use in�The Ring. A. T. Hatto's translation transforms an old text into a story as readable and exciting as Homer's�Iliad.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700�titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the�series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date�translations by award-winning translators.
- Sales Rank: #61370 in Books
- Published on: 1965-04-30
- Released on: 1965-04-30
- Original language: German
- Number of items: 1
- Dimensions: 7.78" h x .98" w x 5.06" l, .68 pounds
- Binding: Paperback
- 416 pages
About the Author
Arthur Thomas Hatto, FBA (1910 2010) was a scholar of medieval German literature and, especially after his retirement from the University of London, where he served as Professor of German from 1953 to 1977, the comparative study of oral heroic epic poetry. He was elected an Honorary Fellow of the School of Oriental and African Studies, of which he had served as a Governor, and a Corresponding Member of the Finno-Ugrian Society. His other publications include translations from Middle High German poems for Penguin Classics: Tristan (1960), the Nibelungenlied (1965), and Parzival (1980); the edition and translation The Memorial Feast for Kokotoy-Khan (Kokotoydun A ): A Kirghiz Epic Poem (1977); general editorship of Traditions of Heroic and Epic Poetry (1980 1989), the two-volume proceedings of the London Seminar on Epic, which Hatto chaired from 1964 to 1972; Essays on Medieval German and Other Poetry (1980); and The Mohave Heroic Epic of Inyo-Kutavere (1999).
Most helpful customer reviews
0 of 0 people found the following review helpful.
I've seen two Nibelungenlied translations so it is not the ...
By Lothringen
I've seen two Nibelungenlied translations so it is not the fault of the translators, but this work is wordy to the point of losing interest. Far more true to the Germanic feeling are the Prose Edda, Rebsamen's Beowulf xlation, with their terse alliterative meter,
6 of 6 people found the following review helpful.
nicht schlecht (not bad)
By Peekablue
I was hesitant, at first, about buying this book. I was afraid that since it was written in the middle ages, it would be rather difficult to read. This was not the case. The language was modern enough for almost anyone to understand. The story was engaging. I finished this book in two days. I cannot say that this book is for everyone. I bought it because I am of German heritage and interested in learning more about the culture. I am also interested in that particular time period. So, for anyone who enjoys tales of chivalry, knights, fair ladies, and battle...I recommend you try this story.
As far as the book itself goes, the quality is very good for a paperback. There are appendices in the back refering to the author or authors, the geography, and time period of the text. Also, there is list of the characters and their descriptions.
59 of 60 people found the following review helpful.
From Attila to Tolkien
By Peter Reeve
Wagner's operas and Tolkien's tales are modern incarnations of legends that have evolved in the European consciousness for centuries, in much the same way as the Arthurian cycle of stories. The Nibelungenlied (Song of the Nibelungs), which dates from around 1200 CE and probably originated in Austria, is one of the best known and most significant versions of those legends. It takes as its main theme the life and death of the hero Siegfried and the revenge of his widow Kriemhild. It also incorporates characters and events based on the lives of Atilla the Hun and Theodoric the Great.
This is a valuable insight into how literature evolved in Medieval Europe. If you are a Wagner or Tolkien fan, or a lover of epic fantasy, you will want to read it, both for historical interest and for the beauty and strangeness of some of the imagery. The inconsistencies in its plot and characterizations are a consequence of the poet trying to merge contradictory sources and also to present a version of pagan legends that would be acceptable to a Christian audience. The result is sometimes awkward but always interesting.
A.T Hatto's Penguin edition is definitely the one to get. There is a brief forward, then the story itself, and then more than 100 pages of editorial, giving you a glossary of character's names, the history of the poem, etc, etc. Probably more than you ever wanted to know about medieval German literature. (Although, having said that, it is odd that there is no mention of the Volsung Saga, which is really needed to complete the picture).
This is a lively, readable and authoritative prose translation. If, like me, your medieval German is less than fluent and likely to remain so, then this is the version to read.
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